"Do you want to make spice-rubbed ribs the way they're made by the best barbecue cooks in Memphis? Crispy soft-shell crabs that taste like they're right out of Chesapeake Bay? Refreshing Thai salad just as it's made in Bangkok? A moussaka that could be the star of a great taverna in Greece? A bisteeya that will transport you to Morocco? Catalan lobster soup, Vietnamese summer rolls, proper Dover sole, a real tiramisù? A golden, buttery t ..."
Tombee(1st Edition) Portrait of a Cotton Planter. With the Plantation Journal of Thomas B. Chaplin (1822-1890) von Theodore Rosengarten, Susan W. Walker, ThomasBenjaminChaplin Hardcover, 750 Seiten, Veröffentlicht 1986 von William Morrow ISBN-13: 978-0-688-05412-0, ISBN: 0-688-05412-9
"Tombee was an unlucky slave owner and cotton planter on St. Helena Island, South Carolina. His real name was Thomas B. Chaplin, and we know him because of his plantation journal, kept between 1845 and 1858. The fascination of this journal is enhanced by notes that Chaplin added periodically after 1865, bringing the lives of his characters up-to-date. Not unnaturally, he compared his poverty after the Civil War with antebellum opulence, ..."
"Tombee was an unlucky slave owner and cotton planter on St. Helena Island, South Carolina. His real name was Thomas B. Chaplin, and we know him because of his plantation journal, kept between 1845 and 1858. The fascination of this journal is enhanced by notes that Chaplin added periodically after 1865, bringing the lives of his characters up-to-date. Not unnaturally, he compared his poverty after the Civil War with antebellum opulence, ..."
Tombee(1st Edition) Portrait of a Cotton Planter : With the Journal of Thomas B. Chaplin (1822-1890) von Theodore Rosengarten, ThomasBenjaminChaplin, Susan B. Walker Paperback, 750 Seiten, Veröffentlicht 1992 von Quill ISBN-13: 978-0-688-11609-5, ISBN: 0-688-11609-4
"Tombee was an unlucky slave owner and cotton planter on St. Helena Island, South Carolina. His real name was Thomas B. Chaplin, and we know him because of his plantation journal, kept between 1845 and 1858. The fascination of this journal is enhanced by notes that Chaplin added periodically after 1865, bringing the lives of his characters up-to-date. Not unnaturally, he compared his poverty after the Civil War with antebellum opulence, ..."