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  | | Japanese Love Hotels A Cultural History von Sarah Chaplin Ebook, 256 Seiten, Veröffentlicht 2007 von Routledge ISBN-13: 978-1-134-11869-4, ISBN: 1-134-11869-4 "... 86 ambiguity 70, 85, 171, 195 ambivalence 90, 98, 136, 184 American acculturation 9, 27, 66–7, 131 Ando, Tadao 84 anonymity 20, 63, 67, 82, 134 Anti -Prostitution Law (1956) 65, 66 antithesis 11, 193 Aoki, Jun 87 arcades 11, 21, 191, 193 architectural press 84 architecture: commercial 72; Japanese postwar 83 aristocracy 141 Art Deco 71, 85–6, 94 Asai, Toshihiro 170 Asakusa 31, 38, 39, 40, 45, 172 asobi (play) 134 atelier, notion ..." |
 | | Curating Architecture and the City von Sarah Chaplin, Alexandra Stara Ebook, 272 Seiten, Veröffentlicht 2009 von Routledge ISBN-13: 978-1-134-00977-0, ISBN: 1-134-00977-1 "For 'détournement' see Heinz Stahlhut, Juri Steiner, Siebe Tettero, Stefan Zweifel, 'Preface', in Stefan Zweifel, Juri Steiner, Heinz Stahlhut (eds), In girum imus nocte et consumimur igni – Die Situationistische Internationale (1957–1972) (Zürich: Ringier, 2006), p. 12. See also 'Situativer Urbanismus. Zu einer beiläufigen Form des Sozialen', Archplus – Zeitschrift für Architektur und Städtebau, 183, 2007. Online: www.sportificati ..." |
 | | Japanese Love Hotels von Sarah Chaplin Ebook ISBN-13: 978-1-134-11866-3, ISBN: 1-134-11866-X |
 | | Japanese Love Hotels von Sarah Chaplin Ebook ISBN-13: , ISBN: |
 | | Curating Architecture and the City von Sarah Chaplin Ebook ISBN-13: 978-1-134-00973-2, ISBN: 1-134-00973-9 |
 | | Curating Architecture and the City von Sarah Chaplin Ebook ISBN-13: 978-1-134-00972-5, ISBN: 1-134-00972-0 |
 | | Curating Architecture and the City von Sarah Chaplin Ebook ISBN-13: , ISBN: |
 | | Curating Architecture and the City von Sarah Chaplin Ebook ISBN-13: 978-1-134-00974-9, ISBN: 1-134-00974-7 |
 | | Curating Architecture and the City von Sarah Chaplin, Alexandra Stara Ebook, 272 Seiten, Veröffentlicht 2009 von Routledge ISBN-13: 978-1-134-00976-3, ISBN: 1-134-00976-3 "Thisstrategy sets upa seriesof situations: first, theartist/curator operates within and with the space of the gallery to create the show; second, potentially, this curatorial and creativeevent isprojected intothetimeof the 'viewer'/'inhabitant', the timebeyondthe opening, the timeof the show itself.The same strategy, Iwill argue, should beatworkin the city, intheactivity of architects and urban planners; andIwill conclude with thec ..." |
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